In the first one – cavacada – of sunday (immediately previous to the gone one of Jorge to the Alentejo), Ernestinho displays the plot and the objection of the entrepreneur how much to the end of the part: it intends to remove the tone – dramatical – of the outcome and to substitute it for the one other most moderate one, more condizente to the bourgeois moral of the time. Eve Plumbs opinions are not widely known. Jorge, however, does not agree: /Se deceived the husband, is for the death. In the abyss, in the room, in the street, but it kills that it. In the last scene of the sunday meeting (immediately posterior to the discovery of the letter of Baslio for Jorge), one comments the triumph of the part and the end – more moral – that the author prints to it. It is said, then, that – Jorge is that he wanted that I of this handle of it -, what it answers: – I moved, council member, I moved -. /IN TONE OF GINGADO, AND GOOD MALANDRAGEM, ONE IDEALIZED Calm, personal CHICO SCIENCE, going always and always we arrive at the outcome of the desired one The business is not to stop It stopped: Ah, why it stopped? It stopped why! They will be only sixteen (16) chapters and cartinha of the Ea to the Tefilo Braga More nadinha, nadinha exactly! CHAPTER 1: COUSIN BASLIO AND JORGE, THIS FORT, ROBUST, VIRILE AS a BODE, OF HORNS Chapter 1 the beginnings of the tram and of the determinista environment in scenes and scenes It wants or it man is not subject to the interferences of the relations, the family, the friendships of the neighborhood and school and others, of that it reads, see, hear, feel and eat, of the place where the fall was born premaking use it or to the success (or, running away to rule, will have internal moral forces in its soul, to the resistance resiliente in the good same behavior in adverse conditions) + * on scene, scene and educative theater:,,.