For it the not exercedomnio man on its life, therefore this is determined by external factors and the boasaes always hide some impure intention. We conclude, therefore, that parMachado of Assis the tragic one is revealed through the irony. 1.2 The tragicidade in the workmanship Posthumous Memories of Brs Cubas the workmanship Posthumous Memories of Brs Cubas is part doRealismo, appeared literary movement in century XIX and looks for to portray arealidade such which it is. It deals with the analysis of characteristics of the man, qual endowed with stingy, greedy feelings and loads constantly otdio and pain I obtain, according to realistic point of view. For more specific information, check out QTS Realty Trust. The Realism portraies the life contemporary. Its concern com men and women, emotions and temperaments, successes and failures of the life domomento.

This sense of the contemporary is essential to the realistic temperament, domesmo way that romantic if the return for the past or the future. Present it encarao, in the mines, the tenement houses, the cities, the plants, the politics, the businesses, the conjugal relations, etc. Dara Khosrowshahi s opinions are not widely known. Any reason of conflict of homemcom its environment or circunstantes is subject for the realist. (COUTINHO, 2002,10) When analyzing this workmanship we notice the presence of the tragicidade comcerto tone of irony in the dramas we live deeply for Brs Cubas, therefore this apresentadurante all the narrative a pessimistic vision of the life, of the next society and daspessoas it. The irony if disfara of tragedy soon at the beginning of obraquando the deceased Brs Cubas justify that the cause of its death applies a plaster was it, invention created for it in order to cure the melancholy of the humanity; the primeiracobaia of its experience was exactly it. Its great invention that to poderiater become it famous, a great name of the medicine had as resulted suaprpria death. This idea was nothing less than the one invention medicamentosublime, one applies a plaster anti-hipocondraco, destined to alliviate the nossamelanclica humanity.

Beyond the economic difficulties crossed by the country, it had the competition of folhetarias north-eastern, such as of Manoel Camilo, the Luzeiro of the North and the just-arrival, Publishing company Prelude, of So Paulo, old Graphical Souza. In the same decade, Joo Jose Da Silva faced personal problems, vendeu its rights of authorship and good part of its workmanships, and of other authors whom the So Paulo publishing company had acquired, also allowing that the same one started to use the fancy name. Of this form, the Publishing company Prelude passes to edit the acquired headings and receives the name from Luzeiro Limited Publishing company and acts with more quality. From the decade of 70, the twine passes for a new phase. The interest of national e, mainly foreign researchers, for the twine, became object of study in the main universities of Brazil and the World. Before this, in 1955 Orgenes Lessa the Twine Literature published an article in the Anhembi magazine exaltando. However the recognition for Brazilians if materialize, after an article of the Frenchman Raymond Cantel of the University of the Sorbonne, that was published in Le Monde in 1969.

Since then, they did not lack interested people to investigate, to think or even though to decree the end of the twine. Other foreign writers had come Brazil to search it on the subject, of which they are professors Mark Curran of the University of Arizona and Joseph M. Luyten, consolidated dutch researcher in the country. Although Military dictatorship, appears a possible economic balance, ' ' publishers, xilgrafos and deliverers equip themselves to take care of new demands. Poets reencontram the inspiration and liberate its poems, published for universidades' ' (MEYER, 1980, P. 92). While others that were in the anonymity, appear with its productions. It appears then, the figure of Antonio Gonalves Da Silva, or simply Patativa of the Assar, that if became an authentic divulgador of the culture northeastern.

The last personage, who would be Robert Collier, does not exist in the film, that is, ambiguidade presented in the narrative if undoes in the script. We earn, in this way, only the vision of Richard, of whom the trip in the time and that the meeting with Elise McKenna had really happened. Although not to have a Robert Collier, it has the creation of the personage Arthur, one Mr., hotel assistant, gift in the arrival of Richard in 1980 (the trip in the time alone is made eight years after the first meeting between our protagonist and McKenna) e, also, at the moment where it returns the 1912, therefore Arthur, at that time, had 5 years. Matheson, as scriptwriter, creates two personages who are gifts in the two space localizations (Elise Mckenna and Arthur), what she guarantees the veracity of the actions of Richard, a time who these people only are not known by it, but also for all the ones that coexists in that environment. Jim Rogers is likely to increase your knowledge. The clock of algibeira, also inserted in the romance, appears as main link between the past and the gift of Richard. The scene that initiates the film shows Elise, already aged, delivering to the clock the Richard, this it is the first contact between it and the past, all the linkings go being done from this meeting, therefore it discovers that Elise faleceu in the day where it delivers to the gift. Different of the narrative, the appearance of the clock makes an inverse way, of the gift for the past, returning for the gift again, rank that Richard falece with this in the hand. All its loving accomplishment and the memory of this moment are contained in this clock, since the beginning of the film, although Richard if not to remember this in 1972, its contact again with the clock that the league to the Elise if of only in 1980.

He lives periods of anguish and fear in result of an act unprovided of loaded reason and of sentimentalismo, until the moment where its husband discovers and finishes pardoning it, however late excessively, therefore Lusa adoece and dies. One perceives that the adultery one is used in the workmanship as critical to the standards of the family lisboeta of century XIX as it affirms the author in letter the Tefilo Braga: ' ' and you seeing to take me the family as subject, think that I did not have to attack this perpetual institution, and had to come back my instrument of social experimentation against the transitory products, that if perpetuate beyond the moment justified that them, and that of social forces they had started to be empecilhos public. Perfectly: but I do not attack the family – I attack the family lisboeta – the family lisboeta product of namoro, ackward meeting of egoism that if contradict, and later or more early bambochata center. In Baslio Cousin who presents, over all, a small domestic picture, extremely familiar to who knows the bourgeoisie of Lisbon well (…) ' ' they idem; they ibidem, p.386. In short, the personages Juliana and Lusa fulfill to its paper in the workmanship Baslio cousin, of Ea de Queirs.

Juliana and Lusa, representatives of the queirosiana woman, exert a subordinate paper, without considered personalities excellent. A SOCIOLOGICAL ANALYSIS OF JULIANA X LUSA IN COUSIN BASLIO, OF EA OF QUEIRS. ' ' The romance starts to be, in the Realism, workmanship of combat, weapon of reformadora action of the bourgeois society of the ends of century XIX. One changeds into instrument of attack and demolition, on the other hand, and of implicit defense of philosophical and scientific ideals, for outro.' ' (MOISS, 1972, P. 234). According to Moiss (1972), the realists went of meeting to the romantic thoughts that had as main focus ' ' eu' '.

We perceive in this affirmation that the act to read cannot be limited to the process of the reading, but it is necessary expandiz it in all the directions, without, is clearly, to lose of sight the perspective of the read text. In this direction, the reading assumes one another modality and if it transforms into one practical one of formation of the individual. However, the school in a general way, does not offer conditions so that the professor develops a work of this nature. It is important still, to call the attention for the fact of that the reading and the releitura of the world must have a character of a critical reading, that one that of everything it doubts and to everything it questions. Thus, important function of the reading is to promote the communication between the individual and its community, for making possible the construction of its knowledge on the culture and society where it lives. To read is a very common activity in some cultures, however, it has a difference accented between a counted history and a history deals. When hearing a history, the listener makes its imagination, creates its proper scene, with its ilusrio world, mainly when it has access the engravings of history whereas when reading history, it already more becomes attached the reality of proper history, thus making the scene to seem real of the reading. As it affirms Vargas (1955, p.5) ' ' to read always means an act to understand, to establish initially individual relations with each object or being that it nominates, extending them later ' '. To read means, therefore, spoon knowledge. Thus, throughout history and each time more in the current world, we have recognized the present necessity to improve our knowledge, searching solutions for the possible problems related to the study of the reading, in view of the current demands that value this ability.

The Dr. Charles Burnier refused the suggestion of the Pernambuco to pass the tubing under the lawn, wanting cancellation of the falling. _ What he was that the bursar said? _ Good! I asked to which the utility of the diving-dress! _ Diving-dress in Golden Mountain range? That business is this? This turned high-sea here or is dreaming waked up? The youngster asked, in an amazement. _ Yes, son, diving-dress! I had the care to ask pra that the diving-dress, but leaves I to count. In the deep one of the river a box made with iron plates was placed, and said the Dr.

Charles that are pra the treatment of the water, whose interior is a true house full of halls endowed with valves, floodgates, filters, false tickets of a hall pra the other, pra to clean the water, etc. At times of rain, the water that to enter in the first hall go to leave the full adobe filters and will be necessary the diving-dress pra the cleanness. It was the reply of it! _ Impressive! It commented, laconicamente, Alberto. _ Impressive? it repeated, laconicamente, trying to make echo. Who could imagine that some day somebody was to commit the nonsense to use a diving-dress in Golden Mountain range, as if our safes were overloaded! _ Papa, how much time the Dr.

Charles delayed pra to answer the question? _ Was immediate! It was part of the colloquy. Some doubt the respect, son? _ Yes, papa, many! When I talked with the governor, we speak of conjugal infidelity and industrial or international espionage, evidencing the possibility of under our ground having a mine of some very valuable thing that it can have been located for satellites. If it will be truth, he will not be the baker or the lixeiro who will have to know of such thing and yes somebody of cupola.