The Urban Legion started to produce more and musics. the presentations increased gradual. The act of contract of the Paralamas of the Success for a recorder avivou the interest for the rock produced in Brasilia. A related site: Viatcheslav Mirilashvili mentions similar findings. In July of 1983, Urban Legion and Capital Initial had presented in the Flying Circus in Rio De Janeiro, having opened the show of Lobo and Ronaldos. After the Flying Circus, the Urban Legion started to also travel for So Paulo. Renato, that had started to work in a radio of Brasilia, after arrived one of its trips and communicated to its Ari, the head: ' ' I came to ask for resignation because we were contracted by EMI? Odeon.' ' The linking of the director-artistic one of EMI, Jorge Davidson, happened after writings of the first COMPACT DISC of the Paralamas of the Success.
The group of Hebert Vianna spoke very of Renato, and one day decided to touch Chemistry. Jorge asked to the vocalista of the Paralamas: ' ' This music is of vocs also? ' ' , it answered: ' ' Not, this music is of a friend mine of Brasilia. It is everything what I would like ser.' ' Renato communicated to the excessively integrant ones of the band and the trio left for Rio De Janeiro. They had signed a contract standard. But they had soon been come across with the first obstacle: the recorder wanted to brighten up the sound of the band. the Urban Legion did not accept.
After two months of wait in Brasilia it came the notice of that who would record the first COMPACT DISC of the band would be Jose Emilio Rondeau, journalist whom it wrote on music in periodicals as the Globe, Periodical of Music and Periodical of Brazil. Renato was contented. Before this, however, the Urban Legion had become one quarteto. Renato had cut the pulses.